#237 The Smell of Jazz

Monumental and modest together. Passion framed with austerity. And suddenly, coming directly from the future, out of nowhere, these rocking, jazzy moments (at 7'40'').

The old 1953 sound is strict and directive, a bit edgy. Kleiber is balancing lyricism and lamentation in a marvelous result.

Composer: Ludwig van Beethoven
Work: Symphony No 5, II. Andante con moto
Recording: Concertgebouw Orchestra, Eric Kleiber

#236 The Smell of Tragedy

Eminent in its sadness, this is a high class tragedy. The one overflowing the body, paralyzing the muscles, stopping the breath. The air is getting thicker, darker. Suffering the slings and arrows of outrageous fortune, this is it.

Barenboim is bathing in the grief, building the vibes, concentrating the blood. The final bangs are astounding.

Composer: Robert Schumann
Work: Symphony No 3, IV. Feierlich
Recording: Staatskapelle Berlin, Daniel Barenboim

#235 The Smell of Inner Peace

This is Nachtmusik, so there's no surprise it's peaceful and hushed. Apart from that, it also shines the inner light: Combining childhood memories and fatalism, with a few creaks, it's getting you into the mood.

The fanfare for introduction (and its repetitions during the movement) are so beautifully shaped! I haven't been a big fan of Mahler 7 but this one speaks to me.



Composer: Gustav Mahler
Work: Symphony No 7, II. Nachtmusik I – Allegro moderato
Recording: BBC Philharmonic Orchestra, Gianandrea Noseda

#234 The Smell of Victory

It's pretty straightforward and literal: winning and nothing else. No second meanings, just transparent message: Triumph! Triumph!

Böhme debuted in this role in 1930. The recording is from 1959, yet he sings here very openly and civilly.

Composer: Carl Maria von Weber
Work: Der Freischütz, "Schweig, schweig, damit dich niemand warnt!"
Recording: Kurt Böhme, Bavarian Radio Symphony Orchestra, Eugen Jochum

#233 The Smell of Boiling Water

The smell is instant: The tiny bubbles catching the surface of a casserole, intensifying, capturing and gaining control of the water.

Singer plays vividly, mastering the tone in a way that makes you think you should learn how to play the clarinet, too. A Far Cry Orchestra (without a conductor) merges with Singer in a brilliant and very organic manner.

Composer: Robert Aldridge
Work: Clarinet Concerto, I. Fast and light
Recording: David Singer, A Far Cry Orchestra