I smell how artificial and distorted this music is. It's like behind a thick round glass, always kind of out of focus, and never real. All the dramas are just a comedy, fights between plastic figures: and snow, snow everywhere.
Pešek's reading is precise, and maybe a little bit distant, keeping it–despite the orchestration–on the colder side.
Composer: Josef Suk Work: A Fairy Tale, II. Playing at Swans and Peacocks Recording: Czech Philharmonic Orchestra, Libor Pešek
Moving continuously, never stopping, never resting but not growing, not building anything: mining, going under surface and beyond. It dissects us, our surroundings, leaving us sad, empty, awaiting. The effect is hollow, the experience is the aging.
Bělohlávek delivers rich, spontaneous performance. Strings soften the shades, wood instruments are so crushing, rapacious.
Composer: Josef Suk Work: Ripening, II. Poco allegro inquieto e poco rubato Recording: Jiří Bělohlávek, BBC Symphony Orchestra
This piece of music is not in a hurry. Even when you'd expect it to get faster, to start act the fool, it's still prudent, judicious, broad, playing on its own terms.
PSO shines in strings, especially cellos and double basses have very vidid color with wonderful dark shadows. Right now I'm desiring to taste Bělohlávek's approach (much faster than this one) and compare him to Netopil (his pupil). Voracity, thy name is music.
Composer: Josef Suk Work: Symphony in E Major, IV. Allegro Recording: Prague Symphony Orchestra, Tomáš Netopil