One may need to hear Uri Caine first to recognize how Jewish this symphony is. It's marvelous how this is pushed a little bit, that is being pulled against it timing... And then, at 5'23'', all the small nets are torn apart with one grand shift. The real trauermarsch starts at 7'46'', when nothing is left and nothing–despite all the attempts–can be built.
Dudamel is very soft and flexible in this recording. Listen to the wheel at 1'09'' and again at 3'01'', how it starts turning. Fresh, subtle account, and very sad. The sorrow of the last minute is unbearable.
Composer: Gustav Mahler
Work: Symphony No 5, I. Trauermarsch
Recording: Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel